{"id":33,"date":"2026-06-14T06:37:56","date_gmt":"2026-06-14T06:37:56","guid":{"rendered":"https:\/\/critikale.com\/?p=33"},"modified":"2026-06-28T07:14:20","modified_gmt":"2026-06-28T07:14:20","slug":"reouverture-bientot","status":"publish","type":"post","link":"https:\/\/critikale.com\/index.php\/2026\/06\/14\/reouverture-bientot\/","title":{"rendered":"Reouverture bient\u00f4t"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">J&rsquo;ai choisi le jour de mon anniversaire pour ouvrir de nouveau ce site qui, d\u00e9cid\u00e9ment, me tient \u00e0 la gorge. La semaine prochaine, petit r\u00e9cap sur les jeux de 2026 et un esp\u00e8ce de planning pour cette dr\u00f4le d&rsquo;ann\u00e9e (mon poste au travail est supprim\u00e9, ainsi les mois \u00e0 venir vont \u00eatre rigolos).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Quelques trucs vont changer d&rsquo;ici l\u00e0 et la page \u00ab\u00a0\u00c0 propos\u00a0\u00bb sera modifi\u00e9e pour \u00e9clairer certains points.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Critikale revient et ne fermera plus, faussement, avec mes appels \u00e0 l&rsquo;aide inutiles. Mes chats et mon jardin seront mon oxyg\u00e8ne.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>J&rsquo;ai choisi le jour de mon anniversaire pour ouvrir de nouveau ce site qui, d\u00e9cid\u00e9ment, me tient \u00e0 la gorge. La semaine prochaine, petit r\u00e9cap sur les jeux de 2026 et un esp\u00e8ce de planning pour cette dr\u00f4le d&rsquo;ann\u00e9e (mon poste au travail est supprim\u00e9, ainsi les mois \u00e0 venir vont \u00eatre rigolos). Quelques trucs [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":78,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32,5],"tags":[],"class_list":["post-33","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-32","category-critikale"],"_links":{"self":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts\/33","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/comments?post=33"}],"version-history":[{"count":1,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts\/33\/revisions"}],"predecessor-version":[{"id":34,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts\/33\/revisions\/34"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/media\/78"}],"wp:attachment":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/media?parent=33"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/categories?post=33"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/tags?post=33"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}