{"id":460,"date":"2026-08-13T16:09:43","date_gmt":"2026-08-13T16:09:43","guid":{"rendered":"https:\/\/critikale.com\/?p=460"},"modified":"2026-08-13T16:09:43","modified_gmt":"2026-08-13T16:09:43","slug":"lallemand-lindigene-et-le-militaire","status":"publish","type":"post","link":"https:\/\/critikale.com\/index.php\/2026\/08\/13\/lallemand-lindigene-et-le-militaire\/","title":{"rendered":"L&rsquo;Allemand, l&rsquo;indig\u00e8ne et le militaire"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Non, Jean de La Fontaine n&rsquo;est pas revenu d&rsquo;entre les morts. Il aurait 405 ans cette ann\u00e9e tout de m\u00eame et ne verrait pas d&rsquo;un bon oeil ce qu&rsquo;est devenu la langue fran\u00e7aise. Ce titre cache simplement 3 jeux.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le premier est Wolfenstein 3D, qui a <strong>pop\u00e9<\/strong> sur le Game Pass. Comme \u00e7a, tranquillement.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wolf-01-1200x675.jpg\" alt=\"\" class=\"wp-image-461\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wolf-01-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wolf-01-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wolf-01-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wolf-01-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wolf-01-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Je m&rsquo;attendais \u00e0 un jeu censur\u00e9 mais non. \u00c9videmment tout ceci a bien veilli (bien plus que Doom) et je ne m&rsquo;attarderai pas sur ce titre que j&rsquo;ai d\u00e9j\u00e0 termin\u00e9 il y a de nombreuses ann\u00e9es. Mais c&rsquo;\u00e9tait rigolo de recommencer. Et c&rsquo;est tout \u00e0 fait sympathique lorsque c&rsquo;est rigolo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le deuxi\u00e8me jeu (et pas le second jeu sinon la Seconde Guerre Mondiale s&rsquo;appelerait la Deuxi\u00e8me Guerre Mondiale).<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/gh-01-1200x675.jpg\" alt=\"\" class=\"wp-image-462\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/gh-01-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/gh-01-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/gh-01-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/gh-01-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/gh-01-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Green Hell est install\u00e9 sur mon vieux disque dur de la XBOX Series X depuis sa promo r\u00e9cente et je le lance que de temps en temps. Il n&rsquo;est pas vraiment en 60 FPS et l&rsquo;absence de cette fluidit\u00e9 n&rsquo;est pas n\u00e9gociable pour moi. Bien s\u00fbr le titre est ancien mais il est cens\u00e9 \u00eatre optimis\u00e9 maintenant. Du tout. C&rsquo;est juste l\u00e9g\u00e8rement plus fluide mais c&rsquo;est peu injouable en l&rsquo;\u00e9tat. \u00c7a reste sympa car le jeu est prenant mais c&rsquo;est vraiment couillon que \u00e7a n&rsquo;atteint pas la fluidit\u00e9 d&rsquo;un The Forrest. C&rsquo;est m\u00eame moins fluide que l&rsquo;exceptionnel Firewatch.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dernier jeu de cet article, bien s\u00fbr le relift\u00e9 Wildlands.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">J&rsquo;avance tr\u00e8s timidement dans ma nouvelle partie car m\u00eame si Wildlands est r\u00e9ellement bluffant en coop avec un monde ouvert excellent, y jouer en solo me fait revivre de tr\u00e8s bons (et donc mauvais&#8230; ?!) souvenirs. Je continuerai quand m\u00eame en encha\u00eenant quelques missions. Je verrai plus tard pour la suite.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-07-1200x675.jpg\" alt=\"\" class=\"wp-image-464\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-07-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-07-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-07-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-07-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-07-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Le mode photo est utile pour mes captures. J&rsquo;appr\u00e9cie toujours autant la conduite de Wildlands m\u00eame si forc\u00e9ment c&rsquo;est assez arcade mais quand m\u00eame plus r\u00e9aliste que de nombreux jeux&#8230; Disons que la physique des v\u00e9hicules est correcte et permet de s&rsquo;amuser sans \u00eatre dans l&rsquo;exc\u00e8s.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Je finis par quelques autres captures.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-08-1200x675.jpg\" alt=\"\" class=\"wp-image-465\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-08-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-08-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-08-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-08-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-08-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-09-1200x675.jpg\" alt=\"\" class=\"wp-image-466\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-09-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-09-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-09-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-09-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-09-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-10-1200x675.jpg\" alt=\"\" class=\"wp-image-467\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-10-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-10-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-10-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-10-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-10-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-11-1200x675.jpg\" alt=\"\" class=\"wp-image-468\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-11-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-11-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-11-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-11-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-11-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-12-1200x675.jpg\" alt=\"\" class=\"wp-image-469\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-12-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-12-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-12-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-12-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/08\/wild-12-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Ce soir, c&rsquo;est une petite partie de E-Day avec la b\u00eata ouverte. J&rsquo;ai jou\u00e9 \u00e0 la b\u00eata ferm\u00e9e en Horde et j&rsquo;avoue avoir \u00e9t\u00e9 tr\u00e8s surpris de l&rsquo;excellence du jeu. M\u00eame si j&rsquo;ai beaucoup aim\u00e9 le trailer, je sens que l&rsquo;achat s&rsquo;imposera. Enfin non car il sera sur le Game Pass. Donc mon abonnement sera bien amorti durant les 3 mois de sa sortie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Allez salut.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Non, Jean de La Fontaine n&rsquo;est pas revenu d&rsquo;entre les morts. Il aurait 405 ans cette ann\u00e9e tout de m\u00eame et ne verrait pas d&rsquo;un [&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":463,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32,6],"tags":[],"class_list":["post-460","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-32","category-jeu-video"],"_links":{"self":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts\/460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/comments?post=460"}],"version-history":[{"count":1,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts\/460\/revisions"}],"predecessor-version":[{"id":470,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts\/460\/revisions\/470"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/media\/463"}],"wp:attachment":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/media?parent=460"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/categories?post=460"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/tags?post=460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}