{"id":617,"date":"2026-09-28T16:09:21","date_gmt":"2026-09-28T16:09:21","guid":{"rendered":"https:\/\/critikale.com\/?p=617"},"modified":"2026-09-28T16:12:52","modified_gmt":"2026-09-28T16:12:52","slug":"well-dweller-le-bon-picoreur","status":"publish","type":"post","link":"https:\/\/critikale.com\/index.php\/2026\/09\/28\/well-dweller-le-bon-picoreur\/","title":{"rendered":"Well Dweller, le bon picoreur"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Picoreur est un terme assez vieux et issu du langage soutenu pour d\u00e9signer un plagiaire. \u00c9videmment ce n&rsquo;est pas tr\u00e8s sympathique mais je trouve le mot assez mignon, suffisamment pour \u00e9dulcorer mes propos&#8230;<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-17-1200x675.jpg\" alt=\"\" class=\"wp-image-618\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-17-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-17-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-17-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-17-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-17-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-17-2048x1152.jpg 2048w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-17-250x141.jpg 250w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">23 % de compl\u00e9tion pour le moment et je continue lentement ma progression. Lentement car le jeu est vaste, aussi vaste que les anciens titres de Kyle Thompson. Le bonhomme est sp\u00e9cialis\u00e9 dans les metroidvania ( par exemple Crypt Custodian, que je n&rsquo;ai pas essay\u00e9, du m\u00eame d\u00e9veloppeur). Heureusement j&rsquo;ai d\u00e9couvert qu&rsquo;on pouvait utiliser la t\u00e9l\u00e9portation entre tentes sans pour autant se trouver sur l&rsquo;une d&rsquo;elles.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-18-1200x675.jpg\" alt=\"\" class=\"wp-image-619\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-18-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-18-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-18-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-18-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-18-2048x1152.jpg 2048w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-18-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-18-250x141.jpg 250w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Les zones chronom\u00e9tr\u00e9es sont assez p\u00e9nibles mais avec pas mal de challenge. Je les termine g\u00e9n\u00e9ralement \u00e0 1 seconde ou 2 de la fin du temps imparti. C&rsquo;est chaud mais rigolo (mais chiant). Mais rigolo calmez-vous.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-19-1200x675.jpg\" alt=\"\" class=\"wp-image-620\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-19-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-19-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-19-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-19-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-19-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-19-2048x1152.jpg 2048w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/09\/wdwe-19-250x141.jpg 250w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Ce gros lapinou qui s&rsquo;appelle Lida est tout mignonne. Ou pas. Je suis con j&rsquo;ai loup\u00e9 la capture o\u00f9 elle change un peu de visage, elle est \u00e0 mourir de rire&#8230;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Je lance Well Dweller tous les soirs en attendant de m&rsquo;essayer \u00e0 The Witcher 3 Remastered demain mais surtout en attenant l&rsquo;arriv\u00e9e de Enshrouded sur PS5, Gears of War E-Day et bien s\u00fbr, le jeu de la d\u00e9cennie GTA VI. Quelques petits titres auront droit aux habituels \u00ab\u00a0jeux en vrac\u00a0\u00bb sur Critikale.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Picoreur est un terme assez vieux et issu du langage soutenu pour d\u00e9signer un plagiaire. \u00c9videmment ce n&rsquo;est pas tr\u00e8s sympathique mais je trouve le mot assez mignon, suffisamment pour&#8230; <a class=\"continue-reading-link\" href=\"https:\/\/critikale.com\/index.php\/2026\/09\/28\/well-dweller-le-bon-picoreur\/\">Lire <span class=\"meta-nav\">&rarr; <\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":604,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32,6],"tags":[],"class_list":["post-617","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-32","category-jeu-video"],"_links":{"self":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts\/617","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/comments?post=617"}],"version-history":[{"count":1,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts\/617\/revisions"}],"predecessor-version":[{"id":621,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts\/617\/revisions\/621"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/media\/604"}],"wp:attachment":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/media?parent=617"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/categories?post=617"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/tags?post=617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}