{"id":622,"date":"2026-10-01T11:30:52","date_gmt":"2026-10-01T11:30:52","guid":{"rendered":"https:\/\/critikale.com\/?p=622"},"modified":"2026-10-01T11:30:52","modified_gmt":"2026-10-01T11:30:52","slug":"sorcelleurs-oiseaux-et-sacs-de-cubes","status":"publish","type":"post","link":"https:\/\/critikale.com\/index.php\/2026\/10\/01\/sorcelleurs-oiseaux-et-sacs-de-cubes\/","title":{"rendered":"Sorcelleurs, oiseaux et sacs de cubes"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Comme pr\u00e9vu, j&rsquo;ai t\u00e9l\u00e9charg\u00e9 la mise \u00e0 jour de The Witcher 3. Comme pr\u00e9vu, j&rsquo;ai continu\u00e9 mon aventure sur Well Dweller et comme pr\u00e9vu, j&rsquo;ai d\u00e9sinstall\u00e9 rapidement la suite de Minecraft Dungeons.<\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">MINECRAFT DUNGEONS II (Game Pass)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">J&rsquo;avais bel et bien essay\u00e9 Minecraft Dungeon lorsqu&rsquo;il \u00e9tait sorti autrefois. Je ne m&rsquo;en rappelais plus, c&rsquo;est rigolo \u00e7a aussi. Chose tout \u00e0 fait n\u00e9gative pour sa suite&#8230; Lorsque m\u00eame un essai d&rsquo;un jeu se barre de ma m\u00e9moire, c&rsquo;est que le souvenir de celui-ci n&rsquo;\u00e9tait pas glorieux. En effet, Minecraft Dungeons II ne d\u00e9roge pas \u00e0 la r\u00e9gle de la d\u00e9installation.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/md2-01-1200x675.jpg\" alt=\"\" class=\"wp-image-623\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/md2-01-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/md2-01-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/md2-01-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/md2-01-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/md2-01-2048x1152.jpg 2048w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/md2-01-150x84.jpg 150w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Entendons-nous bien le jeu est certainement sympathique. H\u00e9las, je n&rsquo;accroche pas du tout au concept, \u00e0 l&rsquo;interface du titre, \u00e0 la vue tr\u00e8s a\u00e9rienne, je n&rsquo;aime pas l&rsquo;angle. Peut-\u00eatre est-elle modifiable, je n&rsquo;ai pas regard\u00e9, le jeu n&rsquo;est pas fait long-feu sur mon disque dur assez vide. Le tuto est simple, ce n&rsquo;est pas fonci\u00e8rement moche mais pauvre quand m\u00eame (Minecraft pourrait tr\u00e8s bien \u00eatre beau). Les combats sont moyens et je ne m&rsquo;int\u00e9resse pas \u00e0 l&rsquo;histoire. J&rsquo;adore Minecraft, du moins j&rsquo;y ai beaucoup jou\u00e9 et ma d\u00e9couverte sur ce jeu fut un tr\u00e8s beau souvenir de joueur. Mais son pendant aventureux en 3D isom\u00e9trique ne me plait pas du tout.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/md2-02-1200x675.jpg\" alt=\"\" class=\"wp-image-624\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/md2-02-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/md2-02-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/md2-02-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/md2-02-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/md2-02-2048x1152.jpg 2048w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/md2-02-150x84.jpg 150w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">La carte est chouette et assez pr\u00e9cise. Comme vous pouvez le voir, j&rsquo;ai fait quelques pas seulement depuis le d\u00e9but de l&rsquo;aventure (\u00e0 gauche).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C&rsquo;est dommage de ne pas continuer car je suis s\u00fbr que l&rsquo;aventure est quand m\u00eame sympa \u00e0 faire mais l&rsquo;ambiance g\u00e9n\u00e9rale et le design en g\u00e9n\u00e9ral ne me plaisent pas.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">THE WITCHER 3 WILD HUNT (Mise \u00e0 jour Remastered)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">J&rsquo;attendais cette mise \u00e0 jour et m\u00eame si je ne suis pas d\u00e9\u00e7u, il y a encore un probl\u00e8me qu&rsquo;il doit \u00eatre impossible \u00e0 r\u00e9soudre : l&rsquo;animation archa\u00efque. Ce n&rsquo;est pas mal foutu bien s\u00fbr mais le jeu \u00e9tant plus fin avec des d\u00e9cors r\u00e9ellement am\u00e9lior\u00e9s, il est dommage de voir un sorcelleur qui se d\u00e9place encore d&rsquo;une mani\u00e8re trop rigide. C&rsquo;est aga\u00e7ant. Le jeu est excellent bien s\u00fbr mais ce c\u00f4t\u00e9 balai \u00e0 chiottes dans le cul est p\u00e9nible.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-01-1200x675.jpg\" alt=\"\" class=\"wp-image-625\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-01-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-01-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-01-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-01-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-01-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-01-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-02-1200x675.jpg\" alt=\"\" class=\"wp-image-626\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-02-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-02-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-02-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-02-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-02-2048x1152.jpg 2048w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-02-150x84.jpg 150w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-03-1200x675.jpg\" alt=\"\" class=\"wp-image-627\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-03-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-03-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-03-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-03-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-03-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-03-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-04-1200x675.jpg\" alt=\"\" class=\"wp-image-628\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-04-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-04-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-04-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-04-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-04-2048x1152.jpg 2048w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/tw3-04-150x84.jpg 150w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Je ne sais pas si je continuerai l&rsquo;aventure mais ce remaster est bien s\u00fbr correct. Pas fou non plus. Il est gratuit pour les possesseurs de The Witcher Wild Hunt alors c&rsquo;est d\u00e9j\u00e0 un geste excellent de la part du d\u00e9veloppeur.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">WELL DWELLER (Game Pass)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Well Dweller vient de passer un cap. Le cap d&rsquo;un coup de coeur de l&rsquo;ann\u00e9e au m\u00eame titre que Routine par exemple, pas le m\u00eame d\u00e9lire \u00e9videmment&#8230; J&rsquo;ai jou\u00e9 \u00e0 quelques titres sympas cette ann\u00e9e mais celui-ci est top. Top car la progression du personnage est parfaitement calibr\u00e9e et le nombre \u00e9norme de copie de gameplay d&rsquo;autres titres en fait quand m\u00eame un excellent cru.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-20-1200x675.jpg\" alt=\"\" class=\"wp-image-629\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-20-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-20-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-20-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-20-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-20-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-20-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">68 % maintenant avant la fin du jeu. Pas forc\u00e9ment la fin d&rsquo;ailleurs, je pense finir le jeu \u00e0 85 %, pas plus, je verrai bien. Il me reste pas mal de secrets \u00e0 d\u00e9couvrir mais bon&#8230;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-21-1200x675.jpg\" alt=\"\" class=\"wp-image-630\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-21-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-21-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-21-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-21-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-21-2048x1152.jpg 2048w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-21-150x84.jpg 150w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Le but du jeu est d&rsquo;aller voir cette tr\u00e8s ch\u00e8re reine pour lui expliquer tout le bien que vous pensez de son envie d&rsquo;\u00e9radiquer les oiseaux (quoi qu&rsquo;elle a d\u00e9j\u00e0 bien avancer dans ce domaine). Il faut 7 plumes pour passer le portail que garde pr\u00e9cieusement un cousin de la lampe de Pixar. \u00c0 l&rsquo;instant T, j&rsquo;en suis \u00e0 5 plumes (et non quatre comme sur la capture).<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-22-1200x675.jpg\" alt=\"\" class=\"wp-image-631\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-22-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-22-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-22-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-22-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-22-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-22-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Une nouvelle copie d&rsquo;un autre jeu mais cette fois-ci c&rsquo;est PixelJunk Shooter. Excellent jeu de petits vaisseaux et de petits scientifiques \u00e0 sauver. Le d\u00e9placement est quasiment identique et le tire des missiles est totalement copi\u00e9. Le bruitage est m\u00eame similaire. Encore une fois, les gameplays copi\u00e9s de Well Dweller (C\u00e9leste, Ori, Little Nightmares&#8230;) sont bien amen\u00e9s et composent ainsi un excellent titre. On ne copie ici que ce qui se fait de mieux niveau id\u00e9es de gameplay alors bon&#8230;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-23-1200x675.jpg\" alt=\"\" class=\"wp-image-632\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-23-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-23-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-23-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-23-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-23-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-23-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c0 chaque pouvoir appris, vous avez un petit niveau tuto juste apr\u00e8s. C&rsquo;est bien foutu et vraiment agr\u00e9able d&rsquo;apprendre directement avec une mise en situation.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-24-1200x675.jpg\" alt=\"\" class=\"wp-image-633\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-24-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-24-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-24-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-24-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-24-2048x1152.jpg 2048w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-24-150x84.jpg 150w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Petite lettre envoy\u00e9e par le personnel royal de la reine pour interdire les gens de dormir car la reine trouve le silence global du royaume tr\u00e8s malaisant. Du coup pour soulager son stress, elle a balanc\u00e9 trois gardes du sommet du ch\u00e2teau. Il reste un peu de personnel visiblement, heureusement car qui pourrait \u00e9crire de lettre apr\u00e8s qu&rsquo;il n&rsquo;y ait plus un rat dans le bordel royal.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-25-1200x675.jpg\" alt=\"\" class=\"wp-image-634\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-25-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-25-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-25-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-25-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-25-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-25-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Les boss poss\u00e8dent des <em>patterns<\/em> assez faciles \u00e0 identifier mais certains sont quand m\u00eame complexe \u00e0 g\u00e9rer.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-26-1200x675.jpg\" alt=\"\" class=\"wp-image-635\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-26-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-26-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-26-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-26-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-26-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-26-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-27-1200x675.jpg\" alt=\"\" class=\"wp-image-636\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-27-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-27-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-27-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-27-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-27-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/wdwe-27-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Il y a deux modes de visualisation de la carte. Pr\u00e9cis et simple. J&rsquo;utilise \u00e9videmment le mode Pr\u00e9cis car le mode simple est sympa pour regarder o\u00f9 vous en \u00eates r\u00e9ellement mais il faut quand m\u00eame de la pr\u00e9cision pour savoir o\u00f9 on va apr\u00e8s tel ou tel niveau.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">OCTOBRE SUR CRITIKALE<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Le mois d&rsquo;octobre commence. Voici les trucs que vous trouverez sur Critikale :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Gears of War E-Day (6 octobre)<\/li>\n\n\n\n<li>Star War Racer (6 octobre)<\/li>\n\n\n\n<li>Neon Abyss 2 (8 octobre)<\/li>\n\n\n\n<li>Castlevania : Belmont&rsquo;s Curse (15 octobre)<\/li>\n\n\n\n<li>Harvest Moon Echoes of Teradea (15 octobre)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Rien de d\u00e9finitif mais \u00e7a donne un aper\u00e7u (et j&rsquo;en ai besoin pour diverses raisons glauques).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sur ce, rendez-vous le 8 octobre pr\u00e9cis\u00e9ment pour Gears of War E-Day apr\u00e8s deux jours sur le jeu (j&rsquo;ai ador\u00e9 les b\u00eatas (ferm\u00e9e et ouverte). J&rsquo;avais compl\u00e8tement zapp\u00e9 Star War Racer mais mon budget de fin d&rsquo;ann\u00e9e est au plus bas.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Comme pr\u00e9vu, j&rsquo;ai t\u00e9l\u00e9charg\u00e9 la mise \u00e0 jour de The Witcher 3. Comme pr\u00e9vu, j&rsquo;ai continu\u00e9 mon aventure sur Well Dweller et comme pr\u00e9vu, j&rsquo;ai d\u00e9sinstall\u00e9 rapidement la suite de&#8230; <a class=\"continue-reading-link\" href=\"https:\/\/critikale.com\/index.php\/2026\/10\/01\/sorcelleurs-oiseaux-et-sacs-de-cubes\/\">Lire <span class=\"meta-nav\">&rarr; <\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":637,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32,6],"tags":[],"class_list":["post-622","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-32","category-jeu-video"],"_links":{"self":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts\/622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/comments?post=622"}],"version-history":[{"count":1,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts\/622\/revisions"}],"predecessor-version":[{"id":638,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts\/622\/revisions\/638"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/media\/637"}],"wp:attachment":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/media?parent=622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/categories?post=622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/tags?post=622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}