{"id":651,"date":"2026-10-08T08:57:16","date_gmt":"2026-10-08T08:57:16","guid":{"rendered":"https:\/\/critikale.com\/?p=651"},"modified":"2026-10-08T08:57:16","modified_gmt":"2026-10-08T08:57:16","slug":"gears-of-war-e-day-moyen","status":"publish","type":"post","link":"https:\/\/critikale.com\/index.php\/2026\/10\/08\/gears-of-war-e-day-moyen\/","title":{"rendered":"Gears of War E-Day, moyen +"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>J&rsquo;en attendais beaucoup de ce nouvel \u00e9pisode de Gears of War, j&rsquo;attendais d&rsquo;\u00eatre transporter avec le bin\u00f4me de Marcus et Dom, mais ma monture est une barque trou\u00e9e, dans la boue.<\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">GEARS OF WAR E-DAY (Game Pass)<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-006-1200x675.jpg\" alt=\"\" class=\"wp-image-652\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-006-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-006-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-006-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-006-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-006-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-006-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Ah la vis\u00e9e automatique&#8230; 4 niveaux tout de m\u00eame pour Gears of War E-Day. M\u00eame la vis\u00e9e auto minimum est autoris\u00e9e en mode Bataille&#8230; Ridicule.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-007-1200x675.jpg\" alt=\"\" class=\"wp-image-653\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-007-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-007-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-007-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-007-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-007-2048x1152.jpg 2048w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-007-150x84.jpg 150w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Premi\u00e8re rencontre avec un gros machin tout \u00e0 fait vilain. M\u00eame si le jeu retranscrit bien la violence des impacts, j&rsquo;ai toujours trouv\u00e9 que combattre un ennemi aussi gros n&rsquo;a pas de sens, vous tirez, sa jauge de vie baisse, on est content, mais je pense que des balles ne font strictement rien \u00e0 ce genre ce bestiole. C&rsquo;est une belle mise en sc\u00e8ne oui&#8230;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-008-1200x675.jpg\" alt=\"\" class=\"wp-image-654\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-008-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-008-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-008-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-008-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-008-2048x1152.jpg 2048w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-008-150x84.jpg 150w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">L&rsquo;armure Gears vient plus tard avec le Lanzor modifi\u00e9 (enfin une arme plus pr\u00e9cise avec 600 balles).<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-009-1200x675.jpg\" alt=\"\" class=\"wp-image-655\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-009-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-009-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-009-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-009-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-009-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-009-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-010-1200x675.jpg\" alt=\"\" class=\"wp-image-656\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-010-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-010-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-010-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-010-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-010-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-010-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-011-1200x675.jpg\" alt=\"\" class=\"wp-image-657\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-011-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-011-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-011-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-011-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-011-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-011-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-012-1200x675.jpg\" alt=\"\" class=\"wp-image-659\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-012-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-012-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-012-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-012-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-012-2048x1152.jpg 2048w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-012-150x84.jpg 150w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-013-1200x675.jpg\" alt=\"\" class=\"wp-image-660\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-013-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-013-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-013-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-013-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-013-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-013-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-014-1200x675.jpg\" alt=\"\" class=\"wp-image-661\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-014-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-014-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-014-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-014-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-014-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-014-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-016-1200x675.jpg\" alt=\"\" class=\"wp-image-662\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-016-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-016-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-016-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-016-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-016-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-016-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-015-1200x675.jpg\" alt=\"\" class=\"wp-image-663\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-015-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-015-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-015-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-015-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-015-2048x1152.jpg 2048w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-015-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Le d\u00e9but du jeu est sympa mais les personnages ne sont pas du tout charismatiques, m\u00eame Marcus et Dom avec leur voix fran\u00e7aise absolument lamentables.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-017-1200x675.jpg\" alt=\"\" class=\"wp-image-665\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-017-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-017-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-017-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-017-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-017-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/gowED-017-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Je finis par une capture qui marque un r\u00e9el manque de peaufinage et de respect du joueur, comme souvent.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pour le moment, j&rsquo;ignore si je continue Gears of War E-Day. Le plus gros probl\u00e8me reste l&rsquo;absence totale d&#8217;empathie pour les personnages du jeu. La voix fran\u00e7aise de Marcus et catastrophique (celle de Dom est un peu mieux) et globalement c&rsquo;est trop bordelique. En gros un The Division scell\u00e9 sur un petit quartier avec des monstres qui sont d&rsquo;ailleurs plus int\u00e9ressants que nos h\u00e9ros. Je lancerai le mode Horde plus tard et je vais quand m\u00eame continuer pendant mes ch\u00e8res vacances.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">LAWN MOWING SIMULATOR 2 (achat)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">J&rsquo;ai achet\u00e9 le bousin alors je continue, difficilement&#8230; M\u00eame si quelques bonnes id\u00e9es sortent du lot (le souffleur en vue FPS est pas mal, le r\u00e2teau brosse bien l&rsquo;herbe avec un effet sympa&#8230;), le jeu est quand m\u00eame ridicule niveau finition. Par rapport \u00e0 un excellent Powerwash Simulator 2 par exemple, c&rsquo;est bien dommage. Et m\u00eame si ce dernier comporte des errances (l&rsquo;atelier inutile par exemple), on sent qu&rsquo;il y a eu plus de moyen sur certains pans du jeu.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/lms2-08-1200x675.jpg\" alt=\"\" class=\"wp-image-666\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/lms2-08-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/lms2-08-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/lms2-08-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/lms2-08-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/lms2-08-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/lms2-08-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">C&rsquo;est un fil, pas une lame, mais l&rsquo;effet est path\u00e9tique. Dans ce genre de jeu, le sol n&rsquo;existe pas vraiment. Bien s\u00fbr, \u00e7a demanderait du calcul suppl\u00e9mentaire (et une programmation plus s\u00e9rieuse).<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/lms2-09-1200x675.jpg\" alt=\"\" class=\"wp-image-667\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/lms2-09-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/lms2-09-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/lms2-09-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/lms2-09-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/lms2-09-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/lms2-09-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">La vue \u00e0 la 3e personne n&rsquo;est pas pratique pour certains outils comme le souffleur et la d\u00e9brousailleuse.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/lms2-10-1200x675.jpg\" alt=\"\" class=\"wp-image-668\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/lms2-10-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/lms2-10-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/lms2-10-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/lms2-10-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/lms2-10-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/lms2-10-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">J&rsquo;ai chang\u00e9 de tondeuse pour prendre une standard (pas de mode mulching). M\u00eame si dans la vraie vie le mulching est conseill\u00e9 (qui consiste \u00e0 couper l&rsquo;herbe et \u00e0 directement l&rsquo;\u00e9jecter sur le c\u00f4t\u00e9), dans ce jeu, c&rsquo;est une plaie car le pourcentage de \u00ab\u00a0d\u00e9chets enlev\u00e9s\u00a0\u00bb diminuera forc\u00e9ment. M\u00eame l&rsquo;herbe est consid\u00e9r\u00e9e comme du d\u00e9chet dans ce jeu, h\u00e9r\u00e9sie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pas de grandes nouvelles sur Critikale durant quelques jours, le temps de finir mes travaux sur une pi\u00e8ce (travaux qui durent depuis 3 mois&#8230;) et surtout, avant l&rsquo;arriv\u00e9e de Enshrouded sur PS5. Je vais aussi essay\u00e9 les deux nouveaux jeu sur le Game Pass ce jour mais j&rsquo;esp\u00e8re ne pas \u00eatre d\u00e9\u00e7u pour la suite de Neon Abyss.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>J&rsquo;en attendais beaucoup de ce nouvel \u00e9pisode de Gears of War, j&rsquo;attendais d&rsquo;\u00eatre transporter avec le bin\u00f4me de Marcus et Dom, mais ma monture est une barque trou\u00e9e, dans la&#8230; <a class=\"continue-reading-link\" href=\"https:\/\/critikale.com\/index.php\/2026\/10\/08\/gears-of-war-e-day-moyen\/\">Lire <span class=\"meta-nav\">&rarr; <\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":669,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32,5,6],"tags":[],"class_list":["post-651","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-32","category-critikale","category-jeu-video"],"_links":{"self":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts\/651","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/comments?post=651"}],"version-history":[{"count":1,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts\/651\/revisions"}],"predecessor-version":[{"id":670,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts\/651\/revisions\/670"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/media\/669"}],"wp:attachment":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/media?parent=651"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/categories?post=651"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/tags?post=651"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}