{"id":771,"date":"2026-10-17T12:29:10","date_gmt":"2026-10-17T12:29:10","guid":{"rendered":"https:\/\/critikale.com\/?p=771"},"modified":"2026-10-17T12:29:10","modified_gmt":"2026-10-17T12:29:10","slug":"enshrouded-la-balade-se-poursuit","status":"publish","type":"post","link":"https:\/\/critikale.com\/index.php\/2026\/10\/17\/enshrouded-la-balade-se-poursuit\/","title":{"rendered":"Enshrouded, la balade se poursuit"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Une bien jolie balade. Apr\u00e8s des premiers moments o\u00f9 je n&rsquo;\u00e9tais pas vraiment ravi du jeu, j&rsquo;avoue que prendre la manette pour lancer Enshrouded me fait plaisir, ce qui n&rsquo;\u00e9tait pas arriver depuis Well Dweller.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dommage que ma m\u00e9moire se perd car j&rsquo;aurai pu donner pleins de petites p\u00e9pites jou\u00e9es en 2026 mais tout ceci devient de plus en plus compliqu\u00e9. D&rsquo;o\u00f9, aussi, les souvenirs laiss\u00e9s sur Critikale.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bref.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">ENSHROUDED (PS5, jeu achet\u00e9)<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-019-1200x675.jpg\" alt=\"\" class=\"wp-image-772\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-019-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-019-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-019-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-019-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-019-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-019-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Niveau 6 apr\u00e8s 10 h de jeu. Je prends mon temps, je me balade. Les combats deviennent relativement simples car j&rsquo;augmente toujours mon niveau dans les m\u00eames zones pour \u00eatre pr\u00e9parer \u00e0 diff\u00e9rentes attaques peu sympathiques.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-020-1200x675.jpg\" alt=\"\" class=\"wp-image-773\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-020-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-020-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-020-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-020-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-020-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-020-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Ma maison est toujours aussi laide mais j&rsquo;apprends pour l&rsquo;instant les m\u00e9caniques du jeu et m\u00eame si tout n&rsquo;est pas clair, j&rsquo;avance un peu, \u00e0 mon rythme.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-021-1200x675.jpg\" alt=\"\" class=\"wp-image-774\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-021-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-021-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-021-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-021-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-021-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-021-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-023-1200x675.jpg\" alt=\"\" class=\"wp-image-777\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-023-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-023-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-023-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-023-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-023-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-023-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">J&rsquo;ai recherch\u00e9 pendant 10 minutes le bouton \u00e0 droite, oui, juste \u00e0 droite, le truc bleu tr\u00e8s grand, tr\u00e8s visible (qui est bleu lorsqu&rsquo;il est activ\u00e9, normalement il est orange, c&rsquo;est encore plus visible&#8230;). La porte visible ci-dessus doit s&rsquo;ouvrir en activant 3 boutons, \u00e0 trouver dans un grand b\u00e2timent \u00e0 la Zelda. C&rsquo;est pas mal, \u00e7a fait marcher l\u00e9g\u00e8rement les neurones. Sur la seconde capture, une porte que je loupe souvent. Leur design est souvent proche des autres ouvertures. Ou peut-\u00eatre que je suis juste con.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-022-1200x675.jpg\" alt=\"\" class=\"wp-image-778\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-022-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-022-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-022-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-022-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-022-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-022-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-024-1200x675.jpg\" alt=\"\" class=\"wp-image-779\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-024-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-024-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-024-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-024-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-024-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-024-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-025-1200x675.jpg\" alt=\"\" class=\"wp-image-780\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-025-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-025-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-025-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-025-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-025-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-025-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-026-1200x675.jpg\" alt=\"\" class=\"wp-image-781\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-026-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-026-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-026-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-026-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-026-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-026-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-027-1200x675.jpg\" alt=\"\" class=\"wp-image-782\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-027-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-027-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-027-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-027-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-027-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-027-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-028-1200x675.jpg\" alt=\"\" class=\"wp-image-783\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-028-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-028-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-028-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-028-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-028-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-028-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-029-1200x675.jpg\" alt=\"\" class=\"wp-image-784\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-029-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-029-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-029-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-029-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-029-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-029-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-030-1200x675.jpg\" alt=\"\" class=\"wp-image-785\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-030-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-030-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-030-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-030-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-030-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-030-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-038-1200x675.jpg\" alt=\"\" class=\"wp-image-793\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-038-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-038-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-038-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-038-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-038-2048x1152.jpg 2048w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-038-150x84.jpg 150w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Le jeu est beau, on pourrait reprocher quelques trucs \u00e9videmment mais globalement c&rsquo;est plut\u00f4t bon sur PS5 classique. Rien \u00e0 voir avec la version PC certainement, ni m\u00eame PS5 Pro, et encore moins avec le DLSS activ\u00e9 \u00e0 ce que j&rsquo;ai vu r\u00e9cemment sur YouTube.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-031-1200x675.jpg\" alt=\"\" class=\"wp-image-786\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-031-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-031-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-031-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-031-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-031-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-031-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-032-1200x675.jpg\" alt=\"\" class=\"wp-image-787\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-032-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-032-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-032-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-032-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-032-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-032-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Toujours les m\u00eames probl\u00e8mes de ce genre de jeu, et toujours ce probl\u00e8me de projection de lumi\u00e8re qui devient une simple texture. Dommage mais l\u00e0 encore, on d\u00e9veloppe avec la puissance moyenne des consoles et apr\u00e8s, on ajuste. Faut voir ce que Rockstar va faire avec GTA VI&#8230;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-033-1200x675.jpg\" alt=\"\" class=\"wp-image-788\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-033-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-033-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-033-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-033-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-033-2048x1152.jpg 2048w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-033-150x84.jpg 150w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Peut-\u00eatre que ces pics (plut\u00f4t des pieux d&rsquo;ailleurs car un pieu est forc\u00e9ment li\u00e9 \u00e0 la terre, sur un sol) sont un peu grands&#8230; Cette parenth\u00e8se \u00e9tait beaucoup trop grande. On pourrait m\u00eame passer entre.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-034-1200x675.jpg\" alt=\"\" class=\"wp-image-789\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-034-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-034-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-034-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-034-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-034-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-034-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Superbe crypte remplie d&rsquo;araign\u00e9es, plut\u00f4t facile \u00e0 vaincre car tr\u00e8s faibles.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-035-1200x675.jpg\" alt=\"\" class=\"wp-image-790\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-035-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-035-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-035-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-035-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-035-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-035-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Un bronzage fortement marqu\u00e9 pour mon forgeron. O\u00f9 peut-\u00eatre passe t-il trop de temps \u00e0 la forge, justement.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-036-1200x675.jpg\" alt=\"\" class=\"wp-image-791\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-036-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-036-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-036-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-036-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-036-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-036-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Trois personnages recrut\u00e9s pour le moment : l&rsquo;alchimiste (ci-dessus), le forgeron et la chasseresse.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-037-1200x675.jpg\" alt=\"\" class=\"wp-image-792\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-037-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-037-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-037-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-037-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-037-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-037-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Je me suis fait surprendre par cette horde. Ma nouvelle \u00e9p\u00e9e me semble efficace.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-039-1200x675.jpg\" alt=\"\" class=\"wp-image-794\" srcset=\"https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-039-1200x675.jpg 1200w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-039-600x338.jpg 600w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-039-768x432.jpg 768w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-039-1536x864.jpg 1536w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-039-150x84.jpg 150w, https:\/\/critikale.com\/wp-content\/uploads\/2026\/10\/ensh-039-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Lorsqu&rsquo;on meurt, ce qui est arriv\u00e9 au moins une grosse dizaine de fois dans ma partie&#8230; un flambeau s&rsquo;allume recelant les objets perdus. Heureusement, ce flambeau appara\u00eet dans une zone \u00ab\u00a0s\u00fbre\u00a0\u00bb. L\u00e0 par exemple, j&rsquo;ai saut\u00e9 pour savoir ce qu&rsquo;il y avait derri\u00e8re la barri\u00e8re. De la lave&#8230;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">LA SUITE EN OCTOBRE<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Comme indiqu\u00e9 il y a peu, j&rsquo;ai vir\u00e9 mon engagement avec OVH pour l&rsquo;h\u00e9bergement et le nom de domaine (juin 2027). Mais Critikale ne sera plus en ligne avant la fin d&rsquo;ann\u00e9e. Un peu de BeamNG bient\u00f4t sur le site, et une grande pause avant GTA VI qui marquera la fin de Critikale.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Une fin qui, pour une fois, n&rsquo;est pas un appel \u00e0 l&rsquo;aide ou une merde du genre, mais surtout un changement de cap, de tous les caps.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Une bien jolie balade. Apr\u00e8s des premiers moments o\u00f9 je n&rsquo;\u00e9tais pas vraiment ravi du jeu, j&rsquo;avoue que prendre la manette pour lancer Enshrouded me fait plaisir, ce qui n&rsquo;\u00e9tait&#8230; <a class=\"continue-reading-link\" href=\"https:\/\/critikale.com\/index.php\/2026\/10\/17\/enshrouded-la-balade-se-poursuit\/\">Lire <span class=\"meta-nav\">&rarr; <\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":775,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32,5,6],"tags":[],"class_list":["post-771","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-32","category-critikale","category-jeu-video"],"_links":{"self":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts\/771","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/comments?post=771"}],"version-history":[{"count":1,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts\/771\/revisions"}],"predecessor-version":[{"id":795,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/posts\/771\/revisions\/795"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/media\/775"}],"wp:attachment":[{"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/media?parent=771"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/categories?post=771"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/critikale.com\/index.php\/wp-json\/wp\/v2\/tags?post=771"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}